![]() ![]() It's the worst case of mismanaged budget in correlation to the finished result visually since Superman Returns. Spectre is a beautifully shot film, but lacks the substance that makes it a special experience. The film has way too many dots to connect and gets lost in its own plot patterns. Plus, for a film that cost a reported $300 million dollars to make, there's nothing on film that warranted the price tag of Spectre. No depth is given to any of our villains which hurts the overall product where villains are key to the movie's success. The former wrestler is only give one line in the entire film and essentially plays a thug. The same thing could be said about Bautista who shined last year in Guardians of the Galaxy with his deadpan humor. Waltz is an acting force who can make you hang on his every word so that fact he is absent for most of the film is a colossal waste of talent. Spoiler Alert! The head of Spectre doesn't really become a factor on-screen until the third act of the film and remember it's two and half hours long. The main problem with Spectre is it's mismanagement of Christoph Waltz as the big baddie Blofeld. Director Sam Mendes could have easily lost a good thirty minutes with meaningless characters like Monica Bellucci's widow wife. The conflict in Spectre is quite ordinary and feels long and drawn out over the two-hour and thirty minute running time. Hinx, but it's nothing we haven't seen before in Bond films. There are some car chases and fisticuffs with Dave Bautista taking on the classic role as henchman Mr. Unfortunately, none of the plot points along the way are explained to the audience leaving them in the dark and unable to enjoy the ride. Most of Spectre is spent with Bond leaping from different global locales looking for clues that will help uncover the mystery of the secret organization and its leader. This lame duck open sets the tone for the rest of the film. After the incredible opening train sequence in Skyfall, you would have assumed director Sam Mendes and star Daniel Craig would up the ante to kick things off, but the commencement in Spectre is quite ordinary and vanilla for this franchise. ![]() This time around the movie starts with chaos in Mexico City involving explosions and a fight inside a moving helicopter all while the Day of the Dead festivities are happening. Spectre starts out as most Bond films do with a big action piece that leads into the trippy opening credits with a song from Sam Smith. Alas, the best way to describe the final product in Spectre is wasted potential. The events from the previous film set things up nicely to revisit the classic Bond story and having two-time Academy Award winner Christoph Waltz cast as the Number 1 villain seemed like a dream come true for Bond aficionados. ![]() Waltz is a perfectly serviceable bad guy, and director Sam Mendes keeps the pace rolling.After the success of Skyfall, fans of OO7 were thrilled to hear the next installment of the franchise would focus on classic Bond villain Ernest Stavro Blofeld and his evil organization Spectre. Will Spectre leave me shaken or stirred?.įrom what I’d heard, I anticipated a “Moonraker-esque” outing with Spectre, but found it to be consistent with the Daniel Craig oeuvre. Solid action scenes should entertain most preteens and older as long as they don’t get lost in the meandering story. Though there’s plenty of mayhem, most of the objectionable violence is of the creepy, torturous variety, which ClearPlay trims along with a couple of scenes of sensuality and implied “Bond”-ing. Very little language is cut in the ClearPlayed version of Spectre. This time a supervillain (Christoph Waltz) brings together names from the past to threaten the existence of MI6 and people’s civil liberties everywhere. The MacGuffin in Spectre, the newly released James Bond movie, really doesn’t matter (like most MacGuffins), but it sends Bond (Daniel Craig) to Mexico, Tangier, and half a dozen other exotic locales to thwart mayhem and preserve the safety of the crown. Director Alfred Hitchcock used to talk of a “MacGuffin,” a plot device that was mostly just an excuse to set the story rolling and get the characters into predicaments. ![]()
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